BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
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BRONZINO, Agnolo The Panciatichi Holy Family (detail) f oil painting


The Panciatichi Holy Family (detail) f
1540 Oil on wood Galleria degli Uffizi, Florence
Painting ID::  5425 		BRONZINO, Agnolo
The Panciatichi Holy Family (detail) f
1540 Oil on wood Galleria degli Uffizi, Florence
   
   
     
BRONZINO, Agnolo Holy Family gfhfi oil painting


Holy Family gfhfi
1555-60 Tempera. on wood, 117 x 99 cm Pushkin Museum, Moscow
Painting ID::  5426 		BRONZINO, Agnolo
Holy Family gfhfi
1555-60 Tempera. on wood, 117 x 99 cm Pushkin Museum, Moscow
   
   
     
BRONZINO, Agnolo Noli me tangere fdg oil painting


Noli me tangere fdg
1561 Oil on canvas, 291 x 195 cm Mus??e du Louvre, Paris
Painting ID::  5427 		BRONZINO, Agnolo
Noli me tangere fdg
1561 Oil on canvas, 291 x 195 cm Mus??e du Louvre, Paris
   
   
     
BRONZINO, Agnolo Martyrdom of St Lawrence df oil painting


Martyrdom of St Lawrence df
1569 Fresco S. Lorenzo, Florence
Painting ID::  5428 		BRONZINO, Agnolo
Martyrdom of St Lawrence df
1569 Fresco S. Lorenzo, Florence
   
   
     
BRONZINO, Agnolo Allegorical Portrait of Dante f oil painting


Allegorical Portrait of Dante f
c. 1530 Oil on wood, 127 x 120 cm National Gallery of Art, Washington
Painting ID::  5429 		BRONZINO, Agnolo
Allegorical Portrait of Dante f
c. 1530 Oil on wood, 127 x 120 cm National Gallery of Art, Washington
   
   
     
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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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